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ORIGINAL MOTION PICTURE SOUNDTRACK 
Music Composed and Conducted by 


Joseph LoDuca 


©) Rew Line Conmme Carp, aC WIL YEKH 


“THE MOST FEROCIOUSLY ORIGINAL HORROR FILM OF 1982’’ 
Stephen King 


Original Motion Picture Soundtrack : 7 VSD-5362 


VIL OFAD — 


[1] Introduction 0:47 [11] Dawn Of The Evil Dead 2:45 

[2 | Eye Games / Charm 2:23 [12| Not The Shower Curtain . 1:47: | 
[3 | Bridge Out 7 1:51 [13] Check On You 0:21 — 
[4 | Rape Of The Vines * 2:13 Pencil It In 1:53 

[5 | Ascent /Inflection 1:56 [15] Get The Lantern/Book Of The Dead 2:35 

[6 | Automatic Writing 0:34 Dawn/Incantation 2:31 
Skin 0:53 Shotgun 2:02 
Give Her The Ax 0:53 Games 1:41 

[9 | Love Never Dies 2:41 The Cabin/Wounded Melody 1:1) 
Kandanian Dagger/Book Burning 4:53 


Music Composed and Conducted by Joseph LoDuca. 


Produced by Joseph LoDuca and Edward Wolfrum. Recorded at Audio Graphics, Royal Oak, Michigan 
All selections published by JODU (Ascap) _. 
Album produced by Scott W. Holton. Sequenced by Tom Null 
Executive Producer: Chris Kiichler - Digital Mastering Supervision: Dub Taylor 
(©1984 Varése Sarabande Records, Inc., U.S.A.. All rights reserved. 
(P\©1993 Colosseum Schallplatten, Bayernstrasse 100, D-8500 Nurnberg 44, Germany. All rights reserved. 


: Manufactured under license from Varése Sarabande Records, Inc., U.S.A 
H Unauthorized duplication is a violation of applicable laws. 
‘Secoiiins distributors: Austria: Echo, Graz. Benelux: Indisc. United Kingdom: Pinnacle, Orpington. Denmark: Danish 
+ Music Import, Copenhagen. Finland: K-Tel, Helsinki. France: WMD Distribution, Paris. Germany: Colosseum, Nurnberg. 


Greece: Virgin Records, Athens. Italy: Milano Dischi. Sweden: CNR Records AB, Stockholm. Spain: Discos Vinilo, 
Madnid. Switzerland: Sonimex AG, Zurich. 


VSD-5362 


SARABANDE A Note From Steven King 


When | met Sam Raimi at the Cannes Film Festival in May of 1982, my first thought was 
that this fellow was one of three things: a busboy, a runaway American high school 
student, or a genius. He wasn’t a busboy, and Raimi finished high school some time ago, 
although he has the sort of ageless sophomore looks that are going to keep bartenders 
asking to see his driver’s license or state liquor card until he’s at least thirty-five. That he 
is a genius is yet unproven; that he has made the most ferociously original horror film of 
1982 seems to me beyond doubt. 


Raimi, a Michigan native now quartered near Detroit, was twenty when he directed and 
wrote Evil Dead. (He was also one of the cameramen, assisted in the first half by Tim 
Philo.) His producer, Rob Tapert, was twenty-six. The gruesome special effects were 
achieved in tandem by Tom Sullivan, twenty-four, and Bart Pierce, who is all of thirty. The 
five stars were college kids. The film was shot in sixteen millimeters and blown up to 
thirty-five for theatrical release. The resulting effect is grainy but oddly apt; the film has a 
weirdly convincing documentary look that no one has seen since George Romero’s Night 
of the Living Dead, a film Raimi admits was a strong influence. 


The Evil Dead has the simple, stupid power of a good campfire story - but its simplicity is 
not a side effect. It is something carefully crafted by Raimi, who is anything but stupid. 
Five college students on a holiday, two boys and three girls, find a deserted cabin and an 
ancient book - a Love craftian Book of the Dead - that turns them into unkillable 
zombies, one by one, until only the film’s star, Bruce Campbell, is left. The only way to 
get rid of these zombies - the evil dead - is by dismemberment. Luckily a chainsaw is 
handy, and.... 


And it doesn’t sound like much. 


Well, neither does Hansel and Gretel nor Bluebeard in the hands of an untalented teller. 
What Raimi achieves in Evi/ Dead is a black rainbow of horror. 


Steven King 


EVIL DEAD 


Starring BRUCE CAMPBELL ELLEN SANDWEISS HAL DELRICH BETSY BAKEI 
Produced by ROBERT G. TAPERT = Written and Directed by SAM RAIMI — From 


© New Line Cinema Corp. MCMLXXxXIll